The First Set of English Madrigals to 3-6 voices (Thomas Bateson): Difference between revisions
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|align="right"|5. || {{NoComp|Come follow me, fair nymphs|Thomas Bateson}} || 3 | |align="right"|5. || {{NoComp|Come follow me, fair nymphs|Thomas Bateson}} || 3 | ||
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|align="right"|6. || {{NoComp|Your | |align="right"|6. || {{NoComp|Your shining eyes|Thomas Bateson}} || 3 | ||
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|align="right"|7. || {{NoComp|Whither so fast|Thomas Bateson}} || 4 | |align="right"|7. || {{NoComp|Whither so fast|Thomas Bateson}} || 4 | ||
Revision as of 12:45, 3 October 2017
General information
Published: Thomas Este, Venice, 1598
Composer: Thomas Bateson
Facsimile: Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2 [IMSLP]
List of works
| # | Title | Voices |
|---|---|---|
| 1. | Beauty is a lovely sweet | 3 |
| 2. | Love would discharge the duty | 3 |
| 3. | The nightingale | 3 |
| 4. | Ah me! my mistress scorns my love | 3 |
| 5. | Come follow me, fair nymphs | 3 |
| 6. | Your shining eyes | 3 |
| 7. | Whither so fast | 4 |
| 8. | Dame Venus hence to Paphos go | 4 |
| 9. | Down from above | 4 |
| 10. | Adieu! sweet love, adieu | 4 |
| 11. | If Love be blind | 4 |
| 12. | Phyllis, farewell | 4 |
| 13. | Those sweet, delightful lilies | 5 |
| 14. | And must I needs depart then? | 5 |
| 15. | Sweet Gemma (first part) | 5 |
| 16. | Yet stay alway (second part) | 5 |
| 17. | Strange were the life | 5 |
| 18. | Alas, alas! where is my love | 5 |
| 19. | O fly not love | 5 |
| 20. | Who prostrate lies | 5 |
| 21. | Sister awake! | 5 |
| 22. | Hark, hear you not? (Oriana's Epitaph) | 5 |
| 23. | Dear, if you wish | 6 |
| 24. | Fair Hebe, when dame Flora meets | 6 |
| 25. | Phyllis, farewell a 6 | 6 |
| 26. | Thirsis, on his fair Phyllis' breast reposing | 6 |
| 27. | Merrily my love and I | 6 |
| 28. | Music, some think, no music is | 6 |
| 29. | When Oriana walk'd | 6 |