Thomas Bateson: Difference between revisions
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*''[[Love would discharge the duty (Thomas Bateson)|Love would discharge the duty]]'' ( [{{filepath:Love_would_discharge_the_duty.pdf}} {{pdf}}] [{{filepath:Love_would_discharge_the_duty.mid}} {{mid}}] [{{filepath:Love_would_discharge_the_duty.cap}} Capella] ) | *''[[Love would discharge the duty (Thomas Bateson)|Love would discharge the duty]]'' ( [{{filepath:Love_would_discharge_the_duty.pdf}} {{pdf}}] [{{filepath:Love_would_discharge_the_duty.mid}} {{mid}}] [{{filepath:Love_would_discharge_the_duty.cap}} Capella] ) | ||
*''[[The nightingale (Thomas Bateson)|Nightingale, The]]'' ( [{{filepath:The_nightingale.pdf}} {{pdf}}] [{{filepath:The_nightingale.mid}} {{mid}}] [{{filepath:The_nightingale.cap}} Capella] ) | |||
*''[[Phyllis, farewell (Thomas Bateson)|Phyllis, farewell]]'' {{editions|3}} | *''[[Phyllis, farewell (Thomas Bateson)|Phyllis, farewell]]'' {{editions|3}} | ||
Revision as of 16:22, 5 March 2012
Life
Born: 1575
Died: 1630
Biography
View the Wikipedia article on Thomas Bateson.
List of choral works
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- Ah, Cupid grant that I may never see (2 editions available)
- And must I needs depart then? (
[ Capella] )
- Beauty is a lovely sweet ( [ ] [ ] [ Capella] )
- Dame Venus hence to Paphos go (2 editions available)
- Down from above (3 editions available)
- Hark, hear ye not? (Oriana's Epitaph) (3 editions available)
- Down the hills Corinna trips ( [ ] [ ] [ Capella] )
- If Love be blind (3 editions available)
- Love would discharge the duty ( [ Capella] )
- Nightingale, The ( [ ] [ ] [ Capella] )
- Phyllis, farewell (3 editions available)
- Sister awake! ( [ ] [ ] [ Capella] )
- Those sweet, delightful lilies (3 editions available)
- When Oriana walk'd (3 editions available)
- Whither so fast (3 editions available)
- Who prostrate lies (3 editions available)
- Your shining eyes (4 editions available)
Click here to search for this composer on CPDL
Publications
- The First Set of English Madrigals to 3, 4, 5, and 6 voices (London, 1604)
- The Second Set of English Madrigals to 3, 4, 5, and 6 voices (London, 1618)