Hodie Christus natus est (Jan Pieterszoon Sweelinck): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
* {{PostedDate| 2020-06-05}} {{CPDLno|59088}} [[Media:17-sweelinck--hodie_christus_natus_est----0-score.pdf|{{pdf}}]] [[Media:17-sweelinck--hodie_christus_natus_est----0-score.midi|{{mid}}]] [[Media:17-sweelinck-motet-a5-hodie_christus-source.zip|{{ | *{{PostedDate|2022-06-17}} {{CPDLno|69732}} [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.pdf|{{pdf}}]] [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.mid|{{mid}}]] [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.mxl|{{XML}}]] [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.musx|{{F14}}]] | ||
{{Editor|Wim Looyestijn|2022-06-17}}{{ScoreInfo|A4|10|217}}{{Copy|CPDL}} | |||
:{{EdNotes|In B-flat (down whole step).}} | |||
* {{PostedDate| 2020-06-05}} {{CPDLno|59088}} [[Media:17-sweelinck--hodie_christus_natus_est----0-score.pdf|{{pdf}}]] [[Media:17-sweelinck--hodie_christus_natus_est----0-score.midi|{{mid}}]] [[Media:17-sweelinck--hodie_christus_natus_est----0-score.mxl|{{XML}}]] [[Media:17-sweelinck-motet-a5-hodie_christus-source.zip|{{zip}}]] (LilyPond) | |||
{{Editor|Allen Garvin|2020-06-05}} {{ScoreInfo|Letter|5|111}}{{Copy|Creative Commons Attribution Non-Commercial}} | {{Editor|Allen Garvin|2020-06-05}} {{ScoreInfo|Letter|5|111}}{{Copy|Creative Commons Attribution Non-Commercial}} | ||
:{{EdNotes|Set in the original (high) clefs. For a transposition, mail me. Also, I left the continuo out, which is largely a basso seguente part with a few figures.}} | :{{EdNotes|Set in the original (high) clefs. For a transposition, mail me. Also, I left the continuo out, which is largely a basso seguente part with a few figures.}} | ||
*{{PostedDate|2017-12-25}} {{CPDLno|48180}} [[Media:Swee-ho2_Double.pdf|{{pdf}}]] [[Media:swee-ho2 Double.mid|{{mid}}]] | *{{PostedDate|2017-12-25}} {{CPDLno|48180}} [[Media:Swee-ho2_Double.pdf|{{pdf}}]] [[Media:swee-ho2 Double.mid|{{mid}}]] [[Media:Swee-ho2_Double.mxl|{{XML}}]] | ||
{{Editor|Simon Biazeck|2017-12-25}}{{ScoreInfo|A4|13|157}}{{Copy|CPDL}} | {{Editor|Simon Biazeck|2017-12-25}}{{ScoreInfo|A4|13|157}}{{Copy|CPDL}} | ||
:{{EdNotes|On the matter of tempo and proportional interpretation of the triple and duple sections, performers should consider adopting early 17th c. Venetian practice: dotted semibreve = minim. This necessitates a fast triple time at Hodie - perhaps uncustomarily so for modern performers - but makes more sense of the Laetantur and Exsultant sections. It also allows a constant pulse to be maintained throughout and a smooth transition from triple to duple time; vital for singers who read from single parts.}} | :{{EdNotes|On the matter of tempo and proportional interpretation of the triple and duple sections, performers should consider adopting early 17th c. Venetian practice: dotted semibreve = minim. This necessitates a fast triple time at Hodie - perhaps uncustomarily so for modern performers - but makes more sense of the Laetantur and Exsultant sections. It also allows a constant pulse to be maintained throughout and a smooth transition from triple to duple time; vital for singers who read from single parts.}} | ||
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:{{EdNotes|arranged a fourth lower for men's voices, {{Cat|AATBB}}. Sibelius file is unzipped, A4 page format.}} | :{{EdNotes|arranged a fourth lower for men's voices, {{Cat|AATBB}}. Sibelius file is unzipped, A4 page format.}} | ||
{{ScoreError|comment from Ultimarko: p. 1 bar 3 baritone voice – should be 8th rest not quarter; the entering "Chri-" should be a syncopated quarter. Consider using a slightly faster duple tempo, and dotted quarter from the first equaling quarter in the duple.}} | {{ScoreError|comment from Ultimarko: p. 1 bar 3 baritone voice – should be 8th rest not quarter; the entering "Chri-" should be a syncopated quarter. Consider using a slightly faster duple tempo, and dotted quarter from the first equaling quarter in the duple.}} | ||
*{{PostedDate|2001-02-10}} {{CPDLno|2072}} [[Media:ws-swee-hod.pdf|{{Pdf}}]] [[Media:ws-swee-hod.mid|{{Mid}}]] [[Media:ws-swee-hod.mxl|{{XML}}]] [[Media:ws-swee-hod.mus|{{mus}}]] (Finale 2000) | *{{PostedDate|2001-02-10}} {{CPDLno|2072}} [[Media:ws-swee-hod.pdf|{{Pdf}}]] [[Media:ws-swee-hod.mid|{{Mid}}]] [[Media:ws-swee-hod.mxl|{{XML}}]] [[Media:ws-swee-hod.mus|{{mus}}]] (Finale 2000) | ||
{{Editor|Rafael Ornes|2001-02-10}}{{ScoreInfo|A4|8|152}}{{Copy|CPDL}} | {{Editor|Rafael Ornes|2001-02-10}}{{ScoreInfo|A4|8|152}}{{Copy|CPDL}} | ||
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{{Descr| }} | {{Descr| }} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Text and translations== | ==Text and translations== | ||
{{LinkText|Hodie Christus natus est}} | {{LinkText|Hodie Christus natus est}} | ||
Latest revision as of 02:43, 1 January 2023
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Finale | |
Finale 2014 | |
Sibelius | |
Zip file | |
Web Page | |
File details | |
Help |
- Editor: Wim Looyestijn (submitted 2022-06-17). Score information: A4, 10 pages, 217 kB Copyright: CPDL
- Edition notes: In B-flat (down whole step).
- Editor: Allen Garvin (submitted 2020-06-05). Score information: Letter, 5 pages, 111 kB Copyright: CC BY NC
- Edition notes: Set in the original (high) clefs. For a transposition, mail me. Also, I left the continuo out, which is largely a basso seguente part with a few figures.
- Editor: Simon Biazeck (submitted 2017-12-25). Score information: A4, 13 pages, 157 kB Copyright: CPDL
- Edition notes:
- Editor: Jonathan Schakel (submitted 2012-10-15). Score information: Letter, 7 pages, 147 kB Copyright: Personal
- Edition notes: In B-flat (down whole step). Basso continuo included.
- Editor: James Gibb (submitted 2012-10-03). Score information: A4, 8 pages, 88 kB Copyright: CPDL
- Edition notes: Original key and note length. Keyboard accompaniment.
- Editor: Christopher Shaw (submitted 2012-02-04). Score information: A4, 10 pages, 153 kB Copyright: Personal
- Edition notes: Includes a keyboard reduction of the a cappella choral score. This edition is offered at one tone below original key for SSATB or transposed down a further fourth for SATTB. Please click on the link for preview/playback/PDF download.
- Editor: Denis Mason (submitted 2001-10-22). Score information: A4, 7 pages, 132 kB Copyright: Personal
- Edition notes: arranged a fourth lower for men's voices, AATBB. Sibelius file is unzipped, A4 page format.
- Possible error(s) identified. Error summary: comment from Ultimarko: p. 1 bar 3 baritone voice – should be 8th rest not quarter; the entering "Chri-" should be a syncopated quarter. Consider using a slightly faster duple tempo, and dotted quarter from the first equaling quarter in the duple.
- Editor: Rafael Ornes (submitted 2001-02-10). Score information: A4, 8 pages, 152 kB Copyright: CPDL
- Edition notes:
General Information
Title: Hodie Christus natus est
Composer: Jan Pieterszoon Sweelinck
Number of voices: 5vv Voicings: SSATB, SATTB or AATBB
Genre: Sacred, Motet, Magnificat antiphon for Christmas Day
Language: Latin
Instruments: A cappella & Keyboard
First published: 1619 in Cantiones sacrae, no. 13
2nd published: 1980 in The Chester Book of Motets, Book 12, no. 9
Description:
External websites:
Text and translations
Original text and translations may be found at Hodie Christus natus est.
Categories:
- Wim Looyestijn editions
- Allen Garvin editions
- Simon Biazeck editions
- Jonathan Schakel editions
- James Gibb editions
- Keyboard accompaniment
- Christopher Shaw editions
- Keyboard reduction
- SSATB
- SATTB
- Denis Mason editions
- AATBB
- Sheet music errors
- Rafael Ornes editions
- Jan Pieterszoon Sweelinck compositions
- 5-part choral music
- Sacred music
- Motets
- Magnificat antiphons
- Christmas Day
- Works in Latin
- A cappella
- 1619 works
- 1980 works
- Works in Book 12
- Sheet music
- Baroque music
- Christmas