Johann Sebastian Bach: Difference between revisions

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*{{NoCo|Der Herr ist mein getreuer Hirt, BWV 112}}
*{{NoCo|Der Herr ist mein getreuer Hirt, BWV 112}}
*{{NoCo|Herr, wie du willt, so schick's mit mir, BWV 73}}
*{{NoCo|Herr, wie du willt, so schick's mit mir, BWV 73}}
* {{Bach|147|Herz und Mund und Tat und Leben|post}} – ''Chorales only, several editions available''
*{{NoCo|Herz und Mund und Tat und Leben, BWV 147}}  
*{{NoCo|Der Himmel lacht! Die Erde jubilieret, BWV 31}}
*{{NoCo|Der Himmel lacht! Die Erde jubilieret, BWV 31}}
*{{NoCo|Die Himmel erzählen die Ehre Gottes, BWV 76}}
*{{NoCo|Die Himmel erzählen die Ehre Gottes, BWV 76}}
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*{{NoCo|Ich bin vergnügt mit meinem Glücke, BWV 84}}
*{{NoCo|Ich bin vergnügt mit meinem Glücke, BWV 84}}
*{{NoCo|Ich elender Mensch, wer wird mich erlösen, BWV 48}}
*{{NoCo|Ich elender Mensch, wer wird mich erlösen, BWV 48}}
* {{Bach|133|Ich freue mich in dir|post}} – ''full score version, split in 2 files''
*{{NoCo|Ich freue mich in dir, BWV 133}}
*{{NoCo|Ich geh' und suche mit Verlangen, BWV 49}}
*{{NoCo|Ich geh' und suche mit Verlangen, BWV 49}}
*{{NoCo|Ich habe genug, BWV 82}}
*{{NoCo|Ich habe genug, BWV 82}}
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*{{NoCo|Ich habe meine Zuversicht, BWV 188}}
*{{NoCo|Ich habe meine Zuversicht, BWV 188}}
*{{NoCo|Ich hatte viel Bekümmernis, BWV 21}}
*{{NoCo|Ich hatte viel Bekümmernis, BWV 21}}
*Ich lasse dich nicht, du segnest mich denn, BWV 157
{{NoCo|Ich lasse dich nicht, du segnest mich denn, BWV 157}}
**{{NoCo|Meinen Jesum lass ich nicht, BWV 157|#5 - Meinen Jesum lass ich nicht}}
*{{NoCo|Ich ruf' zu dir, Herr Jesu Christ, BWV 177}}  
*Ich ruf' zu dir, Herr Jesu Christ, BWV 177
**{{NoCo|Ich ruf' zu dir, Herr Jesu Christ|#5 Chorale}}  
*{{NoCo|Ich will den Kreuzstab gerne tragen, BWV 56}}
*{{NoCo|Ich will den Kreuzstab gerne tragen, BWV 56}}
* {{Bach|164|Ihr, die ihr euch von Christo nennet|post}}
*{{NoCo|Ihr, die ihr euch von Christo nennet, BWV 164}}
*{{NoCo|Ihr werdet weinen und heulen, BWV 103}}
*{{NoCo|Ihr werdet weinen und heulen, BWV 103}}
*{{NoCo|In allen meinen Taten, BWV 97}}
*{{NoCo|In allen meinen Taten, BWV 97}}
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*{{NoCo|Liebster Gott, wenn werd ich sterben? BWV 8}}
*{{NoCo|Liebster Gott, wenn werd ich sterben? BWV 8}}
*{{NoCo|Liebster Jesu, mein Verlangen, BWV 32}}
*{{NoCo|Liebster Jesu, mein Verlangen, BWV 32}}
*Lobe den Herren den mächtigen König der Ehren, BWV 137
*{{NoCo|Lobe den Herren den mächtigen König der Ehren, BWV 137}}
**{{NoCo|Lobe den Herren, der deinen Stand sichtbar gesegnet|#4 - Lobe den Herren, der deinen Stand sichtbar gesegnet}}
*{{NoCo|Lobe den Herrn, meine Seele, BWV 69}}
*{{NoCo|Lobe den Herrn, meine Seele, BWV 69}}
*{{NoCo|Lobet Gott in seinen Reichen, BWV 11}}
*{{NoCo|Lobet Gott in seinen Reichen, BWV 11}}
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*{{NoCo|Meine Seufzer, meine Tränen, BWV 13}}
*{{NoCo|Meine Seufzer, meine Tränen, BWV 13}}


* {{Bach|150|Nach dir, Herr, verlanget mich|post}}
*{{NoCo|Nach dir, Herr, verlanget mich, BWV 150}}
*{{NoCo|Nimm von uns, Herr, du treuer Gott, BWV 101}}
*{{NoCo|Nimm von uns, Herr, du treuer Gott, BWV 101}}
*{{NoCo|Nun ist das Heil und die Kraft, BWV 50}}
*{{NoCo|Nun ist das Heil und die Kraft, BWV 50}}
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*{{NoCo|Schwingt freudig euch empor, BWV 36}}
*{{NoCo|Schwingt freudig euch empor, BWV 36}}
*{{NoCo|Sehet, welch eine Liebe, BWV 64}}
*{{NoCo|Sehet, welch eine Liebe, BWV 64}}
* {{Bach|159|Sehet, wir gehn hinauf gen Jerusalem|post}}
*{{NoCo|Sehet, wir gehn hinauf gen Jerusalem, BWV 159}}
*{{NoCo|Selig ist der Mann, BWV 57}}
*{{NoCo|Selig ist der Mann, BWV 57}}
*{{NoCo|Siehe, ich will viel Fischer aussenden, BWV 88}}
*{{NoCo|Siehe, ich will viel Fischer aussenden, BWV 88}}

Revision as of 10:30, 22 March 2017

Disambig colour.svg "Bach" redirects here. If you are looking for a different Bach, see the disambiguation page.
J.S. Bach as painted by Gottlieb Haussmann (circa 1747).

Life

Born: 21 March 1685

Died: 28 July 1750

Biography

Johann Sebastian Bach was a prolific German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organization from the smallest to the largest scales, and the adaptation of rhythms and textures from abroad, particularly Italy and France.

While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.

The above is an excerpt from Wikipedia. For the full article, click here.

List of choral works

Cantatas (BWV1-BWV 224 and BWV 249)

Ich lasse dich nicht, du segnest mich denn, BWV 157

Chorale Harmonizations (BWV 250-BWV 438)

Comparative Editions (Chorales with different harmonizations)

Other works

Editions with texts translated to other languages

Vocal Arrangements based on Bach's works

|Cantata 147]]

Misattributed works


Click here to search for this composer on CPDL

Recordings of interest

Bach: Cantatas for alto

  • Performer: Andreas Scholl, Marcel Ponseele, Markus Markl
  • Orchestra: Collegium Vocale Orchestra
  • Audio CD (October 12, 1999);1 Disc
  • Label: Harmonia Mundi Fr.

External links