Johann Sebastian Bach: Difference between revisions

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*{{NoCo|Es ist das Heil uns kommen her, BWV 9}}
*{{NoCo|Es ist das Heil uns kommen her, BWV 9}}
*{{NoCo|Es ist dir gesagt, Mensch, was gut ist, BWV 45}}
*{{NoCo|Es ist dir gesagt, Mensch, was gut ist, BWV 45}}
*{{NoCo|Es ist ein trotzig und verzagt Ding, BWV 176}}  
*{{NoCo|Es ist ein trotzig und verzagt Ding, BWV 176}}
*{{NoCo|Es ist euch gut, daß ich hingehe, BWV 108}}
*{{NoCo|Es ist euch gut, daß ich hingehe, BWV 108}}
*{{NoCo|Es ist nichts Gesundes an meinem Leibe, BWV 25}}
*{{NoCo|Es ist nichts Gesundes an meinem Leibe, BWV 25}}
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*{{NoCo|Herr, wie du willt, so schick's mit mir, BWV 73}}
*{{NoCo|Herr, wie du willt, so schick's mit mir, BWV 73}}
*{{NoCo|Ein Herz, das seinen Jesum lebend weiß, BWV 134}}
*{{NoCo|Ein Herz, das seinen Jesum lebend weiß, BWV 134}}
*{{NoCo|Herz und Mund und Tat und Leben, BWV 147}}  
*{{NoCo|Herz und Mund und Tat und Leben, BWV 147}}
*{{NoCo|Der Himmel lacht! Die Erde jubilieret, BWV 31}}
*{{NoCo|Der Himmel lacht! Die Erde jubilieret, BWV 31}}
*{{NoCo|Die Himmel erzählen die Ehre Gottes, BWV 76}}
*{{NoCo|Die Himmel erzählen die Ehre Gottes, BWV 76}}
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*{{NoCo|Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145}}
*{{NoCo|Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145}}
*{{NoCo|Ich liebe den Höchsten von ganzem Gemüte, BWV 174}}
*{{NoCo|Ich liebe den Höchsten von ganzem Gemüte, BWV 174}}
*{{NoCo|Ich ruf' zu dir, Herr Jesu Christ, BWV 177}}  
*{{NoCo|Ich ruf' zu dir, Herr Jesu Christ, BWV 177}}
*{{NoCo|Ich steh mit einem Fuß im Grabe, BWV 156}}
*{{NoCo|Ich steh mit einem Fuß im Grabe, BWV 156}}
*{{NoCo|Ich weiß, daß mein Erlöser lebt, BWV 160}}
*{{NoCo|Ich weiß, daß mein Erlöser lebt, BWV 160}}
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'''J'''
'''J'''
*{{NoCo|Jauchzet Gott in allen Landen, BWV 51}}
*{{NoCo|Jauchzet Gott in allen Landen, BWV 51}}
*{{NoCo|Jesu, der du meine Seele, BWV 78}}  
*{{NoCo|Jesu, der du meine Seele, BWV 78}}
*{{NoCo|Jesu, nun sei gepreiset, BWV 41}}
*{{NoCo|Jesu, nun sei gepreiset, BWV 41}}
*{{NoCo|Jesus nahm zu sich die Zwölfe, BWV 22}}
*{{NoCo|Jesus nahm zu sich die Zwölfe, BWV 22}}
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*{{NoCo|Nun komm, der Heiden Heiland, BWV 62}}
*{{NoCo|Nun komm, der Heiden Heiland, BWV 62}}
*{{NoCo|Nun ruhen alle Wälder|Nun ruhen alle Wälder, BWV 244,11}}
*{{NoCo|Nun ruhen alle Wälder|Nun ruhen alle Wälder, BWV 244,11}}
*{{NoCo|Nur jedem das Seine, BWV 163}}  
*{{NoCo|Nur jedem das Seine, BWV 163}}
'''O'''
'''O'''
*{{NoCo|O ewiges Feuer, o Ursprung der Liebe, BWV 34}}
*{{NoCo|O ewiges Feuer, o Ursprung der Liebe, BWV 34}}
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*{{NoCo|Nun preiset alle}}
*{{NoCo|Nun preiset alle}}
*{{NoCo|O Jesulein süß, BWV 493}}
*{{NoCo|O Jesulein süß, BWV 493}}
*{{NoCo|Ich steh an deiner Krippen hier, BWV 469}}  
*{{NoCo|Ich steh an deiner Krippen hier, BWV 469}}
*{{NoCo|Jesu, Jesu, du bist mein, BWV 470}}
*{{NoCo|Jesu, Jesu, du bist mein, BWV 470}}
*{{NoCo|Jesus, unser Trost und Leben, BWV 475}}
*{{NoCo|Jesus, unser Trost und Leben, BWV 475}}
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===Misattributed works===
===Misattributed works===
*{{NoComp|Aperite Portas}} ''(misattributed)''
*{{NoComp|Aperite Portas}} ''(misattributed)''
*[[Bist du bei mir (Gottfried Heinrich Stölzel)|Bist du bei mir BWV 508 (Gottfried Heinrich Stölzel)]]  
*[[Bist du bei mir (Gottfried Heinrich Stölzel)|Bist du bei mir BWV 508 (Gottfried Heinrich Stölzel)]]
*[[St. Luke Passion, BWV 246 (Anonymous)]]
*[[St. Luke Passion, BWV 246 (Anonymous)]]
{{Whatlinkshere}}
{{Whatlinkshere}}
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|172, 68, 1||Bach Kantaten (1)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam||rowspan="5"|Rotzsch, Neues Bachisches Collegium Musicum||CD 1981-1983||Berlin Classics 0021502BC ||rowspan="5"|Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch
|172, 68, 1||Bach Kantaten (1)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam||rowspan="5"|Rotzsch, Neues Bachisches Collegium Musicum||CD 1981-1983||Berlin Classics 0021502BC ||rowspan="5"|Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch
|-
|-
|137, 21||Bach Kantaten (3)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam ||CD 1981-1983||Leipzig Classics BC-2175-2  
|137, 21||Bach Kantaten (3)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam ||CD 1981-1983||Leipzig Classics BC-2175-2
|-
|-
|140, 61, 36||Bach: Kantaten (7) ||Arleen Augér, Peter Schreier, Siegfried Lorenz||CD 1980-1983||Berlin Classics 0020992BC  
|140, 61, 36||Bach: Kantaten (7) ||Arleen Augér, Peter Schreier, Siegfried Lorenz||CD 1980-1983||Berlin Classics 0020992BC
|-
|-
|110, 71||Bach: Kantaten (8) ||Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz||CD 1981-1982||Berlin Classics 0021002BC  
|110, 71||Bach: Kantaten (8) ||Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz||CD 1981-1982||Berlin Classics 0021002BC
|-
|-
|79, 80, 192, 50||Bach Kantaten (9)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam||CD 1980-1982||Berlin Classics 0021762BC  
|79, 80, 192, 50||Bach Kantaten (9)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam||CD 1980-1982||Berlin Classics 0021762BC
|-
|-
|244 || Matthäus-Passion || Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster || Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig || 3 CD 1970 || Leipzig Classics || One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review [http://www.bach-cantatas.com/Vocal/BWV244-Mauersberger.htm here.]
|244 || Matthäus-Passion || Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster || Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig || 3 CD 1970 || Leipzig Classics || One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review [http://www.bach-cantatas.com/Vocal/BWV244-Mauersberger.htm here.]
|-
|-
| 245 || Johannes-Passion || Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper || Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester || 2 CD 1964 || Deutsche Grammophon 453-007-2 || Definitely a romantic interpretation, but one that improves with age.
| 245 || Johannes-Passion || Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper || Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester || 2 CD 1964 || Deutsche Grammophon 453-007-2 || Definitely a romantic interpretation, but one that improves with age.
|-  
|-
|}
|}


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*[http://www.bach-digital.de/content/below/index.xml?XSL.lastPage.SESSION=/content/below/index.xml JSB's autograph scores] at Bach Digital
*[http://www.bach-digital.de/content/below/index.xml?XSL.lastPage.SESSION=/content/below/index.xml JSB's autograph scores] at Bach Digital
* [http://bach-cantatas.com/Scores Bach Cantatas Website]: Free PDF vocal scores to nearly every Bach cantata
* [http://bach-cantatas.com/Scores Bach Cantatas Website]: Free PDF vocal scores to nearly every Bach cantata
* [http://www.imslp.org/index.php?title=Category:Bach%2C_Johann_Sebastian The ''Bach-Gesellschaft Ausgabe'' (BGA)] edition piece by piece (in PDF) on the site of the [http://www.imslp.org/index.php?title=Main_Page International Music Score Library Project (IMSLP)]  
* [http://www.imslp.org/index.php?title=Category:Bach%2C_Johann_Sebastian The ''Bach-Gesellschaft Ausgabe'' (BGA)] edition piece by piece (in PDF) on the site of the [http://www.imslp.org/index.php?title=Main_Page International Music Score Library Project (IMSLP)]
* The (almost) [http://notes.tarakanov.net/bachpss.htm complete BGA] in PDF (complete books) - Russian site
* The (almost) [http://notes.tarakanov.net/bachpss.htm complete BGA] in PDF (complete books) - Russian site
* [http://scores.ccarh.org/bach/ Parts for BWV 11, 43, 48, 213, 232 and complete Chorales] at CCARH
* [http://scores.ccarh.org/bach/ Parts for BWV 11, 43, 48, 213, 232 and complete Chorales] at CCARH

Revision as of 07:59, 19 November 2020

Disambig colour.svg "Bach" redirects here. If you are looking for a different Bach, see the disambiguation page.
J.S. Bach as painted by Gottlieb Haussmann (circa 1747).

Life

Born: 21 March 1685

Died: 28 July 1750

Biography

Johann Sebastian Bach was a prolific German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organization from the smallest to the largest scales, and the adaptation of rhythms and textures from abroad, particularly Italy and France.

While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.

The above is an excerpt from Wikipedia. For the full article, click here.

List of choral works

Cantatas (BWV1-BWV 224 and BWV 249)

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

S

T

U

V

W

Z

Chorale Harmonizations (BWV 250-BWV 438)

Comparative Editions (Chorales with different harmonizations)

Passions, Oratorios, Magnificat

Masses

Motets

  1. Singet dem Herrn ein neues Lied, BWV 225
  2. Der Geist hilft unsrer Schwachheit auf, BWV 226
  3. Komm, heiliger Geist, Herre Gott, BWV 226
  4. Jesu, meine Freude, BWV 227
  5. Fürchte dich nicht, BWV 228
  6. Komm, Jesu, komm, BWV 229
  7. Lobet den Herrn, BWV 230

Other works

|}

Editions with texts translated to other languages

Vocal Arrangements based on Bach's works

Misattributed works


Click here to search for this composer on CPDL

Publications

Recordings of interest

BWV Title Performers Orchestra Medium Label Notes
35, 54, 170 Bach: Cantatas for alto Andreas Scholl, Marcel Ponseele, Markus Markl Collegium Vocale Orchestra 1 CD 1999 Harmonia Mundi 314902016440
172, 68, 1 Bach Kantaten (1) Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam Rotzsch, Neues Bachisches Collegium Musicum CD 1981-1983 Berlin Classics 0021502BC Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch
137, 21 Bach Kantaten (3) Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam CD 1981-1983 Leipzig Classics BC-2175-2
140, 61, 36 Bach: Kantaten (7) Arleen Augér, Peter Schreier, Siegfried Lorenz CD 1980-1983 Berlin Classics 0020992BC
110, 71 Bach: Kantaten (8) Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz CD 1981-1982 Berlin Classics 0021002BC
79, 80, 192, 50 Bach Kantaten (9) Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam CD 1980-1982 Berlin Classics 0021762BC
244 Matthäus-Passion Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig 3 CD 1970 Leipzig Classics One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review here.
245 Johannes-Passion Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester 2 CD 1964 Deutsche Grammophon 453-007-2 Definitely a romantic interpretation, but one that improves with age.

External links