User:Philip Legge: Difference between revisions
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|1437||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: VI. Judex crederis||[http://imslp.org/wiki/Special:ImagefromIndex/26473 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.judex_crederis.sib|Sibelius 1]]||[[philiplegge:scorch/h118judex.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |1437||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: VI. Judex crederis||[http://imslp.org/wiki/Special:ImagefromIndex/26473 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.judex_crederis.sib|Sibelius 1]]||[[philiplegge:scorch/h118judex.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
|- | |- | ||
| | |1470||[[Josquin des Prez|Josquin]]||{{NoComp|Praeter rerum seriem|Josquin des Prez}}||[{{SERVER}}/wiki/sheet/jos-prae.pdf VS]||[[Media:Josquin Praeter PML.mid|MIDI]]||[[Media:Josquin Praeter PML.sib|Sibelius 3]]||[[philiplegge:josquin/index.html|Scorch 1]]||Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest | ||
|- | |- | ||
| | |1473||[[Hector Berlioz|Berlioz]]||{{NoComp|La menace des Francs, H 117|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb117voc.pdf VS]<br>[http://imslp.org/wiki/Special:ImagefromIndex/26492 FS] [IMSLP]|| ||[[philiplegge:berlioz/h117.la_menace_des_francs.sib|Sibelius 1]]||[[philiplegge:scorch/h117menace.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 41 (1903) | ||
|- | |||
|1474||[[Hector Berlioz|Berlioz]]||{{NoComp|Hymne à la France (from 'Vox populi')|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb97voc.pdf VS]<br>[http://imslp.org/wiki/Special:ImagefromIndex/26487 FS] [IMSLP]|| ||[[philiplegge:berlioz/h.97.hymne_a_la_france.sib|Sibelius 1]]||[[philiplegge:scorch/97hymne.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 40 (1903) | |||
|- | |- | ||
|1475||[[Hector Berlioz|Berlioz]]||{{NoComp|Vox populi, H 120|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb120vox.pdf VS]|| || || ||Typeset from Malherbe & Weingartener, H.B. 40 & 41 (1903) | |1475||[[Hector Berlioz|Berlioz]]||{{NoComp|Vox populi, H 120|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb120vox.pdf VS]|| || || ||Typeset from Malherbe & Weingartener, H.B. 40 & 41 (1903) | ||
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|2686||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: V. Te ergo quæsumus||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[philiplegge:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |2686||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: V. Te ergo quæsumus||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[philiplegge:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
|- | |- | ||
|3142<br>3271||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: III. Dignare||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[philiplegge:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |3142 <br>3271||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: III. Dignare||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[philiplegge:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
|- | |- | ||
|3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}} (complete)||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS I-V]<br>[http://imslp.org/wiki/Special:ImagefromIndex/26473 FS VI-VII]<br>[IMSLP]||[[philiplegge:berlioz/te_deum/|Work page]] | |3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}} (complete)||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS I-V]<br>[http://imslp.org/wiki/Special:ImagefromIndex/26473 FS VI-VII]<br>[IMSLP]|| || ||[[philiplegge:berlioz/te_deum/|Work page]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
|- | |- | ||
|3273||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb92full.pdf FS+Px+VS]|| ||[[philiplegge:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |3273||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb92full.pdf FS+Px+VS]|| ||[[philiplegge:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (1903) | ||
|- | |- | ||
|3274||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb92voc.pdf VS]|| ||[[philiplegge:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |3274||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb92voc.pdf VS]|| ||[[philiplegge:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (1903) | ||
|- | |||
|3349||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [1] Kyrie||[[Media:Mozart 427-1 Kyrie VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/kyrie.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/kyrie.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|3432||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [2] Gloria in excelsis Deo||[[Media:Mozart 427-2 Gloria VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/gloria.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/gloria.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |- | ||
|3564||[[Hector Berlioz|Berlioz]]||{{NoComp|Le Dépit de la bergère|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb7.pdf VS]|| ||[[philiplegge:berlioz/h..7.le_depit_de_la_bergere.sib|Sibelius 1]]||[[philiplegge:scorch/07depit.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 79 (1904) | |3564||[[Hector Berlioz|Berlioz]]||{{NoComp|Le Dépit de la bergère|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb7.pdf VS]|| ||[[philiplegge:berlioz/h..7.le_depit_de_la_bergere.sib|Sibelius 1]]||[[philiplegge:scorch/07depit.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 79 (1904) | ||
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|3835||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus, HWV 232|George Frideric Handel}}||[{{SERVER}}/wiki/sheet/232-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV232 Violin 1 PML.sib|Violins 1]] & [[Media:HWV232 Violin 2 PML.sib|2]]<br>[[Media:HWV232 Viola 1 PML.sib|Violas 1]] & [[Media:HWV232 Viola 2 PML.sib|2]]<br>[[Media:HWV232 Cello PML.sib|Cello]]<br>[[Media:HWV232 Bass PML.sib|Bass]]<br>[[Media:HWV232 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | |3835||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus, HWV 232|George Frideric Handel}}||[{{SERVER}}/wiki/sheet/232-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV232 Violin 1 PML.sib|Violins 1]] & [[Media:HWV232 Violin 2 PML.sib|2]]<br>[[Media:HWV232 Viola 1 PML.sib|Violas 1]] & [[Media:HWV232 Viola 2 PML.sib|2]]<br>[[Media:HWV232 Cello PML.sib|Cello]]<br>[[Media:HWV232 Bass PML.sib|Bass]]<br>[[Media:HWV232 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | ||
|- | |||
|4948||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [3] Laudamus te||[[Media:Mozart 427-3 Laudamus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/laudamus.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/laudamus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|4949||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [4] Gratias||[[Media:Mozart 427-4 Gratias VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/gratias.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/gratias.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|4950||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [5] Domine Deus||[[Media:Mozart 427-5 Domine Deus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/domine.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/domine.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|4951||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [6] Qui tollis||[[Media:Mozart 427-6 Qui tollis VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/qui_tollis.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/qui_tollis.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|4952||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [7] Quoniam||[[Media:Mozart 427-7 Quoniam VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/quoniam.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/quoniam.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|4953||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [8] Jesu Christe – Cum sancto spiritu||[[Media:Mozart 427-8 Jesu Christe VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/jesu.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/jesu.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|4954||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [11] Sanctus – Osanna||[[Media:Mozart 427-11 Sanctus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/sanctus.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/sanctus.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|6158||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: complete work||[[Media:Mozart 427 Great Mass VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/28540 FS] [IMSLP]|| ||[[Media:Mozart K427 Great Mass in C VS PML.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/index.html|Work page]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |- | ||
|8489||[[George Frideric Handel|Handel]]||[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]||[{{SERVER}}/wiki/sheet/237-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | |8489||[[George Frideric Handel|Handel]]||[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]||[{{SERVER}}/wiki/sheet/237-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | ||
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|10787||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets 1]], [[Media:HWV258 Trumpet 2 PML.sib|2]] & [[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]]<br>[[Media:HWV258 Violoncello PML.sib|Cello]]<br>[[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863) | |10787||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets 1]], [[Media:HWV258 Trumpet 2 PML.sib|2]] & [[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]]<br>[[Media:HWV258 Violoncello PML.sib|Cello]]<br>[[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863) | ||
|- | |||
|11409||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [9] Credo in unum Deum||[[Media:Mozart 427-9 Credo VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/credo.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/credo.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|11410||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [10] Et incarnatus est||[[Media:Mozart 427-10 Et incarnatus VS PML.pdf|VS]]|| || || ||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|11411||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [12] Benedictus – Osanna||[[Media:Mozart 427-12 Benedictus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/benedictus.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/benedictus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|11412||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [A1] Crucifixus – [A2] Et in Spiritum||[[Media:Mozart 427-A1 Crucifixus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/crucifixus.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/crucifixus.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878) | |||
|- | |||
|11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[philiplegge:josquin/qui_habitat.sib|Sibelius 3]]||[[philiplegge:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola | |||
|- | |||
|19156||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [B1] Agnus Dei – [B2] Dona nobis pacem||[[Media:Mozart 427-B1 Agnus Dei VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/agnus.sib|Sibelius 3]]<br>[[philiplegge:mozart/great_mass/dona.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/agnus.html|Scorch 3]]<br>[[philiplegge:mozart/great_mass/dona.html|Scorch 3]]||Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878) | |||
|} | |} | ||
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* [C. Gesualdo: Tenebræ responses for Holy Saturday] | * [C. Gesualdo: Tenebræ responses for Holy Saturday] | ||
* C.E. Horsley: [[All hail to thee, Sound! (Charles Edward Horsley)|''Hail to thee, Sound!'']] (v only, but f+p available on hire) | * C.E. Horsley: [[All hail to thee, Sound! (Charles Edward Horsley)|''Hail to thee, Sound!'']] (v only, but f+p available on hire) | ||
* Orlande de Lassus: [[Missa Quand'io pens'al martire (Orlando di Lasso)|''Missa Quand'io pens'al martire'']] (v) | * Orlande de Lassus: [[Missa Quand'io pens'al martire (Orlando di Lasso)|''Missa Quand'io pens'al martire'']] (v) | ||
* P.M. Legge: [[Ave atque vale (Philip Legge)|''Ave atque vale'']] (v), [[I hear the land (Philip Legge)|''I hear the land'']] (v), [[Kubla Khan (Philip Legge)|''Kubla Khan'']] (v only, but f+p available on hire) | * P.M. Legge: [[Ave atque vale (Philip Legge)|''Ave atque vale'']] (v), [[I hear the land (Philip Legge)|''I hear the land'']] (v), [[Kubla Khan (Philip Legge)|''Kubla Khan'']] (v only, but f+p available on hire) | ||
Line 138: | Line 171: | ||
* [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)] | * [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)] | ||
* C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (v, f, p) | * C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (v, f, p) | ||
* W.A. Mozart: KV 618 [[Ave verum corpus, KV 618 (Wolfgang Amadeus Mozart)|''Ave verum corpus'']] (v), KV 626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f) | * W.A. Mozart: KV 618 [[Ave verum corpus, KV 618 (Wolfgang Amadeus Mozart)|''Ave verum corpus'']] (v), KV 626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f) | ||
* J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (v/p, f) | * J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (v/p, f) |
Revision as of 23:33, 10 May 2009
May 2009 update
I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:
- links to Berlioz full scores I've finally gotten done;
- tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
- migration of wso.williams.edu scores to the choralwiki;
- some cross-fertilisation of useful templates from IMSLP, and vice versa.
I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).
Best regards, Philip Legge@ Φ 13:00, 9 May 2009 (AEST)
General information
Country of origin: Australia
Contributor since: 22 September 2000
Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...
Contact information
E-mail: Philip·M·Legge AT gmail·com
Website: PML Music Editions: music prepared by Philip Legge
Education
Bachelor of Science (Physics, Mathematics), University of Tasmania
Background
Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.
Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.
Scores
Key: FS = full score; VS = vocal score; Px = instrumental parts
CPDL# | Composer | Work | Source | Scorch | Notes | ||
---|---|---|---|---|---|---|---|
1391 | Handel | Dixit Dominus, HWV 232 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1392 | Handel | Laudate pueri Dominum, HWV 237 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1393 | Handel | Nisi Dominus, HWV 238 | FS | MIDI | Sibelius 1 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1404 | Berlioz | Grande messe des morts, H 75: I. Introït et Kyrie | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1430 | Berlioz | Grande messe des morts, H 75: III. Quid sum miser | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1431 | Berlioz | Grande messe des morts, H 75: V. Quærens me | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1432 | Berlioz | Grande messe des morts, H 75: VIII. Hostias | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1433 | Berlioz | Grande messe des morts, H 75: X. Agnus Dei | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1436 | Berlioz | Te deum, H 118: II. Tibi omnes | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
1437 | Berlioz | Te deum, H 118: VI. Judex crederis | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
1470 | Josquin | Praeter rerum seriem | VS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest |
1473 | Berlioz | La menace des Francs, H 117 | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 41 (1903) | |
1474 | Berlioz | Hymne à la France (from 'Vox populi') | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 40 (1903) | |
1475 | Berlioz | Vox populi, H 120 | VS | Typeset from Malherbe & Weingartener, H.B. 40 & 41 (1903) | |||
1999 | Berlioz | Te deum, H 118: I. Te Deum laudamus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
2000 | Berlioz | Te deum, H 118: IV. Christe, rex gloriæ | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
2686 | Berlioz | Te deum, H 118: V. Te ergo quæsumus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
3142 3271 |
Berlioz | Te deum, H 118: III. Dignare | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
3272 | Berlioz | Te deum, H 118 (complete) | FS I-V FS VI-VII [IMSLP] |
Work page | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
3273 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |
3274 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |
3349 | Mozart | Great Mass in C minor, KV 427: [1] Kyrie | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
3432 | Mozart | Great Mass in C minor, KV 427: [2] Gloria in excelsis Deo | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
3564 | Berlioz | Le Dépit de la bergère | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 79 (1904) | |
3565 | Berlioz | Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
3566 | Berlioz | Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
3567 | Berlioz | Sérénade de Méphistophélès (No. 8 from 'Faust') | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
3568 | Berlioz | La Captive, orientale: Version A | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 91 (1904) | |
3569 | Berlioz | La Captive, orientale: Version C | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 92 (1904) | |
3570 | Berlioz | Chant des Chemins de fer | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 37 (1903) | |
3571 | Berlioz | Nessun maggior piacere | VS | Sibelius 1 | Scorch 1 | Typeset from albumleaf facsimile | |
3835 | Handel | Dixit Dominus, HWV 232 | Px | MIDI | Violins 1 & 2 Violas 1 & 2 Cello Bass Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
4948 | Mozart | Great Mass in C minor, KV 427: [3] Laudamus te | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4949 | Mozart | Great Mass in C minor, KV 427: [4] Gratias | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4950 | Mozart | Great Mass in C minor, KV 427: [5] Domine Deus | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4951 | Mozart | Great Mass in C minor, KV 427: [6] Qui tollis | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4952 | Mozart | Great Mass in C minor, KV 427: [7] Quoniam | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4953 | Mozart | Great Mass in C minor, KV 427: [8] Jesu Christe – Cum sancto spiritu | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4954 | Mozart | Great Mass in C minor, KV 427: [11] Sanctus – Osanna | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
6158 | Mozart | Great Mass in C minor, KV 427: complete work | VS FS [IMSLP] |
Sibelius 3 | Work page | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
8489 | Handel | Laudate pueri Dominum, HWV 237 | Px | MIDI | Oboes 1 & 2 Violins 1 & 2 Violas 1 & 2 Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
10522 | Handel | Zadok the Priest, HWV 258 | FS | MIDI | Sibelius 3 Sibelius 4 |
Typeset from Chrysander, HG Band 14 (1863) | |
10787 | Handel | Zadok the Priest, HWV 258 | Px | MIDI | Oboe 1 & 2 Bassoons 1 & 2 Trumpets 1, 2 & 3 Timpani Violins 1, 2 & 3 Viola Cello Bass [Continuo] |
Typeset from Chrysander, HG Band 14 (1863) | |
11409 | Mozart | Great Mass in C minor, KV 427: [9] Credo in unum Deum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
11410 | Mozart | Great Mass in C minor, KV 427: [10] Et incarnatus est | VS | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
11411 | Mozart | Great Mass in C minor, KV 427: [12] Benedictus – Osanna | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
11412 | Mozart | Great Mass in C minor, KV 427: [A1] Crucifixus – [A2] Et in Spiritum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878) | |
11932 | Josquin | Qui habitat | Px | Sibelius 3 | Scorch 3 | Individual canons derived from CPDL #5915, edited by Sabine Cassola | |
19156 | Mozart | Great Mass in C minor, KV 427: [B1] Agnus Dei – [B2] Dona nobis pacem | VS | Sibelius 3 Sibelius 3 |
Scorch 3 Scorch 3 |
Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878) |
PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)
- after G. Allegri: Miserere mei, Deus (v, "top C version")
- Anonymous: Sumer is icumen in (v)
- J.S. Bach: Cantata BWV 50, Nun ist das Heil und die Kraft (v, f+p)
- H. Biber: Missa Salisburgensis 16vv: Kyrie and Plaudite tympana (v, f, p); Requiem ex F con terza minore 5vv: Introïtus et Kyrie, Sequentia (v, f, [p])
- A. Borodin: Polovetsian Dances from Prince Igor (v)
- J. Brahms: Ein deutsches Requiem, Op. 45 (v)
- A. Brumel: Missa Et ecce terræ motus 12vv (v); with completion of Brumel’s incomplete Agnus Dei.
- R. Carver arr. Legge: O bone Jesu 19vv (v)
- M.-A. Charpentier: H 1 Mass for double choir, Kyrie & Gloria (f)
- G. Dufay: Nuper rosarum flores (v)
- J. Eccles: My man John (v)
- G. Fauré: Requiem in D minor, Op. 48 (1888/1893 version) (v, f), Cantique de Jean Racine, Op. 11 (f+p)
- [C. Gesualdo: Tenebræ responses for Holy Saturday]
- C.E. Horsley: Hail to thee, Sound! (v only, but f+p available on hire)
- Orlande de Lassus: Missa Quand'io pens'al martire (v)
- P.M. Legge: Ave atque vale (v), I hear the land (v), Kubla Khan (v only, but f+p available on hire)
- G. Mahler: Symphony Nº 2 in C minor "Resurrection", choral score of 5th movement (v)
- C. Monteverdi: Orfeo – Toccata, Prologue, & Act One (f)
- [C. Monteverdi: Missa In illo tempore (1610) (v)]
- C. Monteverdi: Domine ad adiuvandum (1610) (v, f, p)
- W.A. Mozart: KV 618 Ave verum corpus (v), KV 626 Requiem in D minor (urtext) (f)
- J. de Okeghem: Deo gratia 36vv (v/p, f)
- G.P. da Palestrina: Missa Iste confessor, Missa O Rex gloriæ (v); editions do not contain Credo.
- H. Purcell: Come ye Sons of Art (v, f, p); complete.
- H.S. Schütz: Alleluja! Lobet den Herren (Psalm 150), SWV 38, 16vv (v, f, p), Das ist je gewißlich wahr (v)
- A. Striggio Sr: Ecce beatam lucem 40vv (v, f, p)
- T. Tallis: Spem in alium nunquam habui/Sing and glorify 40vv (v, f, p)
The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
Publications
The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.
Index by composer:
- Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
- Bateson: Your shining eyes
- Bennet: Weep O mine eyes
- Dowland: Come again!, Fine knacks
- Ellyard: Round on a well-known text
- Farmer: Faire Phyllis
- Ford: Since first
- Henry VIII: Greensleeves, Pastyme
- Josquin Desprez: El Grillo
- Legge: Non nobis, Domine
- Morley: Now is the month of maying
- Passereau: Il est bel et bon
- Purcell: Come ye Sons of Art, If music be the food of love
- Tye: Laudate
- Vecchi: Fa una canzona
- Vulpius: Lo, how a rose
- Weelkes: All at once well met
- Wheeler: Old Mother Hubbard